Module 1: Vertical Dimension – Interwiving of Harmony and Texture
Overview of musical textures and the concept of vertical stacking in music, comparing electronic synthesis and acoustic orchestration.
Harmonic Overtones and the Colour of Music: Delving into how harmonic overtones influence the harmonic palette of a composition. Students will learn about the natural occurrence of overtones and how they relate to the fundamental tone.
Harmonic Series and Overtones: Its influence on musical timbre and pitch andhow does it impact on Music
Understanding consonance and dissonance in terms of proximity to the fundamental tone. How notes closer to the fundamental tone tend to be perceived as more consonant, while those further away are perceived as dissonant.
The impact of these relationships on music’s texture and emotional content will be discussed, providing a foundation for understanding how composers use these elements to create tension and resolution within their works.
Creative Exploration: Through guided composition exercises, students will experiment with creating their musical textures using the concepts of dialogue, harmonic overtones, consonance, and dissonance.
In-depth study of harmonic interplay and its effect on musical texture using Jan La Rue’s analytical framework.
The Essence of Interplay – Dialogue in Music- How independent melodies can engage in a musical conversation within a composition, creating a dynamic and textured effect
Analysis and creation of rich, textured compositions in both electronic and conventional formats, emphasising the role of harmony
Practical Exercises: Composition tasks that require the creation of textured music using the discussed concepts, with feedback sessions to refine understanding and technique.
Module 2: Horizontal Dimension – Rhythmic Weaving: Structure and Time
Introduction to complex rhythmic structures such as polymeters, polyrhythms, and the manipulation of time perception in music.
Examine the foundational concepts of Syncopation, Polymeter and Polyrhythm, and their application in creating engaging and complex rhythmic interplays.
Discuss the evolution of rhythm from simple time signatures to complex rhythmic structures used in contemporary music.
Syncopation, Polymeter and Polyrhythm
Understand polymeter by exploring multiple time signatures operating simultaneously to create rich, layered rhythmic textures.
Delve into polyrhythms to study conflicting rhythms played at the same time, and how these contribute to the depth of musical compositions
Hypemeter and Odd Meters:
Introduce hypemeter as a higher-level rhythmic structure that organises smaller measures into larger perceptual units, enhancing musical form and progression.
Explore the creative and expressive potential of odd meters (e.g., 5/4, 7/8, 11/8) and their role in creating rhythmic tension and novelty.
Time Manipulation and Rhythmic Perception:
Discussion of how advanced rhythmic structures like polymeters and polyrhythms can alter the perceived flow of time within music, providing composers tools to manipulate listeners’ temporal experience.
Exploration how tempo and rhythm interact, affecting the perception of speed and movement through practical composition and listening exercises.
Analysis of examples from both electronic and conventional music to identify the use of complex rhythmic structures.
Practical Application: Composition of exercises that utilise polymeter, polyrhythm, and odd meters, aimed at reinforcing theoretical knowledge with hands-on practice.
Module 3: The Horizontal Plane: Exploring Melody Across Cultures and Genres
The Concept of the Horizontal Plane: Introduction of the idea of melody as the horizontal aspect of music, contrasting with the verticality of harmony
Global Scales and Modes: A World of Melody
Diverse Musical Traditions: Exploration of a variety of scales and modes beyond the Western classical tradition, delving into the rich melodic structures of different cultures. This includes the Maqam Hijaz, Byzantine scales, Hungarian minor scales, Japanese scales, and others.
Messiaen’s Modes of Limited Transposition: Investigate the innovative scales used by Olivier Messiaen, focusing on how these modes can create unique harmonic and melodic landscapes.
Bartók and the Scales of the Baltic: Examine Béla Bartók’s use of scales derived from Eastern European folk music, particularly his incorporation of modal structures from Baltic sources, and how these influenced his compositional approach
Insight of how these scales contribute to melodic development and emotional expression in music.
Melodic Interaction with Harmony and Rhythm:
Analysis of how melodies unfold over time and their interaction with harmonic and rhythmic elements, using examples from both Western and non-Western music.
Discussion of the role of melody in creating musical narratives and how it enhances the overall compositional structure.
Types of Melodic Lines: Explore the different types of melodic lines, from those that closely follow the harmonic structure to more independent or contrapuntal lines, and how these choices impact the overall texture and emotional content of the music.
Melody as a Combination of Elements: Discussion how a melody is not just a sequence of notes but a complex interaction between meter, tempo, surface rhythm, and harmony. How melodies can align closely with or diverge from the underlying harmony and the effects of these choices.
Practical Composition and Analysis:
Analysing Melody Across Genres: Analysis how melodies function in different musical genres, from classical to electronic music, focusing on the role of motive in traditional compositions versus the modern concept of melody in electronic music. This will include a discussion on how electronic music often blurs the lines between melody and texture, creating new forms of musical expression.
Composing with Diverse Melodic Modes: Practical exercises for composing melodies using the scales and modes explored in this module. Experimentation by combining these modes with various rhythmic structures from Module 2 to create unique musical works.
Melody and Motive: From Classical to Electronic
Evolution of the Melodic Idea: Trace the evolution of the melodic idea from motives in classical and romantic music to the broader concept of melody in contemporary and electronic music.
Discussion of how modern electronic music often uses repetitive motifs and textural changes to drive the music forward, contrasting with the developmental approaches of classical music.
Conclusion: Integrating the Horizontal with the Vertical Dimensions
Synthesising Melodic Knowledge: Summarise the importance of integrating melodic (horizontal) development with harmonic (vertical) and rhythmic structures to create cohesive and compelling music.
Highlights for creative potential unlocked by understanding and applying a wide range of melodic modes and structures.
Module 4: Combining Dimensions – Advanced Composition Techniques for Music
Expanding Rhythmic Foundations: Deeper exploration of time and rhythm in music composition.
Rhythmic Patterns of the Past: Explore the historical concepts of prolatio (note values), tempus (meter), perfectum, and imperfectum, and their relevance to modern rhythmic foundations
Discussion of their relevance and application in modern music, both electronic and conventional, providing a historical perspective that enriches contemporary rhythmic foundations
Use of practical examples to demonstrate how these rhythms can be effectively used in both electronic setups and traditional compositions to create timeless musical interplay.
Creating Rhythmic Interplay: Application of these ancient rhythmic structures to create engaging and complex rhythmic textures
The Art of Canon throughout the music genres and styles
Varieties of Canon: Different types of canon, including the round, crab, and mensuration canon.
Exploration of their applications in creating depth and texture in music, illustrating techniques with examples from both electronic music and more traditional forms.
Composing Canons: Practical exercises to compose canons, using both digital audio workstations (DAWs) for electronic music and notation software for conventional music; blending traditional canon techniques with modern technology to show their versatility across musical styles.
Module 5: The Dance of Lines: Melodic Complexity
Introduction to Layered Melodies:
Exploration in the composition of music featuring multiple, independent melodies that complement and contrast each other.
Discussion of how this technique enhances the texture and complexity of compositions, with practical applications in both electronic and acoustic settings.
Practical Voice Leading:
Application of the basic principles of voice leading to ensure smooth transitions between notes within a polyphonic context
Advanced Melodic Techniques
Exploring the Hoquet:
Application the hoquet technique, where melodies are fragmented and distributed among different voices or tracks.
Examination of how this technique creates a unique interplay and discuss its application in modern electronic compositions and how it can be adapted for acoustic settings.
Species Counterpoint for Today:
Adaptation of Felix Salzer’s species counterpoint approach to contemporary composition.
Focus on the interaction of melodic lines within both electronic and conventional music, offering a modern take on this traditional technique.
Module 6 Utilising Pre-recorded Sounds, Fixed Media and Musique Concrète
The Art of Musique Concrète:
Different techniques of musique concrète, discussing its history, techniques, and influence on contemporary music.
How composers manipulate these sounds through editing, processing, and mixing to create new compositions, bridging the gap between electronic and conventional music practices
Introduction to Fixed Media:Definition and Historical Background
Key Composers and Works: Pivotal works and composers who have significantly contributed to the development of fixed media in music, such as Pierre Schaeffer, John Cage, and Pauline Oliveros.
Characteristics and Techniques: Media Formats and Compositional Techniques
Integration with Conventional Music: Discussion of how fixed media can be integrated with live performances or conventional music settings. Exploration of the interaction between fixed and live music, including the challenges and artistic opportunities it presents.
Analysis of Modern Fixed Media Works that blend electronic and acoustic elements, discussing the artistic and technical aspects that contribute to each piece’s impact and effectiveness.
Discussion on Aesthetic and Philosophical Aspects: The aesthetic and philosophical implications of fixed media in music. The nature of performance, the role of the composer versus the performer, and the listener’s experience in pre-recorded versus live music scenarios.
Creative Applications and Practical Exercises: Implementing Fixed Media by recording environmental sounds, processing these sounds through digital audio software, and arranging them into a fixed composition.
Composition Workshop: Synthesis and Application
Centripetal and Centrifugal forces within the Tonal System
How to create centripetal and centrifugal melodic lines
Composing with Modes, Rhythms, and Textures:
Integrate modal melodies, advanced rhythmic structures, and innovative use of pre-recorded sounds into compositions.
This comprehensive approach encourages the creation of textured, layered, and rhythmically complex pieces, suitable for a broad spectrum of musical styles.
Layering and Interaction:
Apply principles of melodic interplay, voice leading, and rhythmic complexity to create sophisticated compositions.
These exercises reflect a deep understanding of both historical and modern compositional techniques, applicable across various musical genres.